Etela Laňková

* 1943

Video Player is loading.
Current Time 0:00
/
Duration 0:00
Loaded: 0%
Progress: 0%
Stream Type LIVE
Remaining Time -0:00
 
1x
  • "Not a single policeman was there. We didn't observe any policeman there. Of course there were different voices. I also encountered opinions there that were cautious. They would have liked to, but they were afraid. The one who had a tricolour, they were already looking out for him. They were still looking over their shoulders to see if anyone could hear them. I don't blame them because they could have had different fates. It was a hard thing to sign up for at that time. And you know what? I didn't care. I wore the tricolour and I was proud to be there. But I had the experience that I had. I was happy that the regime fell because it was just easier to breathe."

  • "We loved it as kids because we used to run through those empty houses and there were lots of dishes to play with, and nobody minded if we broke something, played kitchen and so on. The little houses were amazing, the [German] families were leaving beautiful apartments with beautiful furniture. Who moved into those houses afterwards, I don't remember. But there was an awful lot of snow. One winter we couldn't go to school at all because we had snow up to the level of the door. Then dad made a tunnel in the snow. I remember we had a beautiful white dog that accompanied me to school. I only remember the nice things about Přísečnice because I was a child and didn't notice what was happening to dad, or maybe that my parents were never used to keeping animals. Mum was afraid of the goat and the bull. So it was difficult for them. And it took money and work to get the house in order. And that wasn't there."

  • "I was just a girl, about thirteen or fourteen years old. We took a small train and arrived at a wooden camp. They let us into one of the barracks—there was a single stove in the corner, but otherwise, it was packed with people, with no privacy at all. We could only talk to my brother at one table. It was terribly sad because he was in a somewhat worn-down state, though he didn’t show it much—he tried to hide it. But our mother, she almost turned gray overnight." But I have a special memory of it because it affected my life later on. I was always drawing and got A's in art class because I enjoyed it. At school we painted with water colours and I got my first box of tempera from that brother over there in that camp - I don't know where he got it. And he uttered one crucial sentence: 'Etel, paint, and one day we'll exhibit together.' I swear he said that, and it stuck with me. We didn't succeed until thirty years later. After thirty years we had three exhibitions together and then one posthumous exhibition, which was organised by his son in Kadaň at the information centre. That influenced my life a lot."

  • Full recordings
  • 1

    Karlovy Vary, 06.06.2022

    (audio)
    duration: 01:28:34
Full recordings are available only for logged users.

Ethel, paint! When I’m released from the communist camp, we’ll exhibit together

Etela Laňková, 1990
Etela Laňková, 1990
photo: Archive of the witness

Etela Laňková was born on 15 November 1943 in Diósgyőr, Hungary, near Miskolc (Miskolc). Her family emigrated there from Mukačevo, Ukraine. After the war, Michal Kristofori, Etela Laňková’s father, accepted the offer of the Czechoslovak authorities to settle the Czech borderlands after the expulsion of the Sudeten Germans. The family then moved to Prunéřov to find work, where Michal Kristofori tore up his party identification and resigned from the Communist Party of Czechoslovakia (KSČ) in protest against the inadequate housing conditions. Etela Laňková’s brother, the artist Jan Kristofori, became involved in the production and distribution of anti-communist leaflets, which he put up with friends in Semily. In a political trial in 1952, he was sentenced to ten years in prison; his sentence was subsequently reduced to seven years. He was imprisoned in a penal camp in Jáchymov and later in Bory. The family bore the arrest and imprisonment of their brother severely. The father tried in vain to find a lawyer who could obtain a lighter sentence. The family visited the brother in the camp and in prison, along with little Ethel. Then in the 1960s, the brother emigrated to Norway. Etela Laňková graduated from the gymnasium in Kadaň and later moved to Cheb, where she studied at the kindergarten pedagogical school. She worked in the cultural and social centre and organised cultural events. In 1962 she married and raised two daughters. She taught in a kindergarten in Kadaň and studied puppetry. In the 1970s, she visited her brother in Norway for the first time, bringing back press materials and musical recordings, such as Jaroslav Hutka’s albums. Norwegian friends offered her to stay in emigration, but she refused because of her daughters. In November 1989, she became involved in the revolution and became one of the first members of the Civic Forum in Cheb. She met many personalities of that time, including Václav Havel, Miloš Zeman and Václav Klaus. She was also involved in organising cultural events such as the Karel Kryl concert in Cheb and the Jazz Jam jazz festival. She devoted herself to painting and after the revolution she exhibited together with her brother. Later, Etela became the head of the Department of Education, Culture and Sports at the Cheb Town Hall and also worked in the gallery. She taught art at the Na Skalce primary school and opened her own studio. In 2022 she was still living in Cheb and continued her artistic activities.