Markéta Šestáková

* 1952

  • "I have a lot of experiences. It was a small gypsy settlement. Around small shacks, roads, woods above and a hillside where cows grazed. How many times we used to go to the hillside as girls, when it was, for example, All Saints day, we would make a fire, tell scary stories and then scream like goats. We used to go swimming in the creek at night when we were girls. There was no water in the huts, there was a pump in the middle and you brought home drinking water in a jug. There was no place to bathe, so we went to the ditch in the evening. There we would take our clothes off so the boys wouldn't see us, but they always scared us off. We'd scream like little redheads. That's how I used to live there. I learned a lot of Slovak and Romani there, and a lot of Romani songs. The boys played guitars for us."

  • "I really liked going among the old Roma. I always said, 'Uncle, tell me a story.' For example, he would tell me how they served with the Jews, how the Germans chased them, how they hid in the woods, how the Russians raped them. Then they told me about their fantasies among the gypsies. I loved to go among these older people. I made tea, put my hand under my chin and listened for hours. They were glad to have someone listening to them."

  • "I also wrote a lot for Romano lav, the Romani word [magazine]. The experiences and the journey to my stepmother. I also wrote about my experiences with my ex-husband. The lady said she liked it, so it was published in a book. It's called Everywhere Beautiful. Like at night, when I lie down to sleep, I don't think about what happened that day or what's gonna happen tomorrow. I see, for example, when we've been for a walk, nature. Sometimes I actually write a story in one evening. I've written about 20 of them. Mrs. Jandakova from Kher took it last year. She photographed everything. I drew the characters for the fairy tales. She said they'll publish it as a book. They're purely Romani fairy tales. I don't know where it is in me."

  • "I only do positive things. I want there to be peace. I embroider it with good energy. I don't want there to be anything negative. I want the picture to make people happy, to make them feel good about it. I've had a sad life, so I want at least in the pictures there to be cheerfulness, love, family togetherness."

  • Full recordings
  • 1

    České Budějovice, 22.05.2023

    (audio)
    duration: 01:31:40
  • 2

    České Budějovice, 29.05.2023

    (audio)
    duration: 35:54
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I infuse freedom into my embroidery

Portrait of Markéta Šestáková taken by a neighbouring photographer in 28th October Street in České Budějovice, 1981
Portrait of Markéta Šestáková taken by a neighbouring photographer in 28th October Street in České Budějovice, 1981
photo: Archive of the witness

Markéta Šestáková, née Kaiserová, was born on 17 January 1952 in České Budějovice to a Romani mother and Czech father. Markéta Šestáková knows nothing about her mother, who died a few months after giving birth. Her father was not interested in her. At a very early age she was placed in an infant institution and then, until she was 14, she stayed in various orphanages. Her memories of the orphanages are among the happiest of her life. There she found safety, closeness and a community to which she belonged. Markéta Šestáková was very talented from a young age. At the age of fifteen she wanted to go into teaching, and thought about designing shoes in Zlín. At this time, the Kaisers, her father’s relatives, took her in from the orphanage. However, Markéta Šestáková was only someone who would earn money for the family. They arranged a job for her at the Koh-i-noor company in České Budějovice, which she had to take up at the age of fifteen. She hated working there. At the age of 16, she ran away to Slovakia, where her father’s second wife lived in a Roma settlement in Humenne. She spent one whole year in Humenne. She gives valuable testimony about life in the Roma community in the late 1960s. This stay also became a great inspiration for her later artistic work. After returning to České Budějovice, she met her husband, with whom she later had five children. In the 1990s she encountered racist behaviour towards her family. In 1992, she responded to an appeal in the Roma magazine Amaro lav and made her first drawings for them. Since that year she has been freelancing full time, drawing, embroidering, writing short stories and fairy tales, which are published by Kher. Most of her works deal with Romani themes. She cooperates with the Museum of Romani Culture in Brno. In 2023 she lived in České Budějovice.