Věra Vítková

* 1936

  • "We did a production that was actually supposed to be, in terms of expertise, we were looking for a puppet from the very beginning, or whatever we thought it was. Firstly, from being completely simple and having no threads, to a complex one that had threads. That was a dancer, for example. The [simpler] ones, we called them the two jerks, they didn't have any thread at all. Or we had one that was balanced and we just put [it] somewhere. Or even the microphone that I spoke into was a dummy, František carved it. So we 'managed' in different ways and I feel like the kaleidoscope actually put quite a show together. We made it up as we went along. It's all still improvisation, actually. We were looking, firstly, for that beginning of how [puppet theatre] came about, and then we wanted to comment on what we were living, and also, of course, to disagree. That's why they felt a lot of things were there, and some things were supposed to be forbidden. We didn't want to give that up."

  • "Dad came after the war. He told me that mom was dead. They told me that she was very ill, but that it wasn't true. I thought she had already died. I thought that. He told me that she had unfortunately died in Auschwitz. I didn't understand at all. I didn't even cry because I had cried before. I thought we'd never meet again. Unfortunately, it took too long. I went to see a friend off one day, and I said to her, 'You know, maybe my mother isn't alive anyway.' Then, unfortunately, it became true."

  • "I came home from school one day in first grade. Someone led me - because I was still being led - across a wide road. Suddenly I noticed that the cupboard was pushed to the middle of the room. Mummy was standing against the wall with her hands behind her and dad beside her. Mummy was so unhappy and the guy was taking everything out of the cupboard and he said to me, 'I'm making a mess here, aren't I?' I put my hands on my waist and said, 'indeed!' Mum was surprised, she could have gone mad in her mind. I could see how scared she was, so I wouldn't get shot. So he left again, he was Czech, and of course he didn't find anything. Then one day [my mother] was leaving and she was still on the stairs saying, 'Please listen to dad, be good and I'll be back. I won't be here for a few days.' Unfortunately, that's the only thing she didn't fulfill."

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    ED Hradec Králové, 06.06.2024

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    duration: 01:34:31
    media recorded in project Stories of 20th Century
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Nine of my relatives died in the concentration camp

Věra Vitková (Říčarová), 1977, Hradec Králové
Věra Vitková (Říčarová), 1977, Hradec Králové
photo: Archive of the witness

Věra Vítková, née Říčařová, was born on 25 April 1936 in Prague. Her father Ludvík Říčař ran a small advertising office in Celetná Street. Her mother, Emilie Říčařová (née Ledererová), who was of Jewish origin, died on 19 February 1943 in the Auschwitz concentration camp. After her mother’s deportation, her father moved her to his brother in the village of Moraveč in the Highlands, where she lived until 1946. In 1955, she graduated from the Higher School of Ceramic Arts in Bechyně and subsequently graduated in puppetry from the Theatre Faculty of Performing Arts. In 1959, she started working as a puppeteer at the Drak Theatre in Hradec Králové, where she worked until 1981. In 1967 she married the artist and carver František Vitek. In 1972 her son David was born. During her career, she appeared in many iconic productions, such as The Tale from the Suitcase (1965), Mowgli (1966) and Enspígl (1974). At the Drak Theatre, she also applied her artistic talents, creating sets for productions such as Tigger (1964) and Frog Hero (1968). After disagreements with the theatre’s management, the couple went “freelance” in 1981. After a miserable first year, they found a founder in the form of the Central Bohemian Art Agency and, thanks to the help of puppeteer Helga Brehme, they then performed mainly abroad with the legendary production Piskanderdulá. After 1989 they made guest appearances at the Archa Theatre and completed several foreign tours. In 2016, the Vítkovs received the Thalia Award for Lifetime Achievement. At the time of filming in 2024, the witness lived with her husband in Hradec Králové.