Milan Hrabal

* 1954

Video Player is loading.
Current Time 0:00
/
Duration 0:00
Loaded: 0%
Progress: 0%
Stream Type LIVE
Remaining Time -0:00
 
1x
  • "Doteky, or Poetic Studio Varnsdorf - this is how my friendship with said Eda Vébr began. He used to recite poetry in his youth and approached me with the idea of doing poetry evenings. He found me as a local poet, he knew I sometimes recited poems, he tried it and it worked. We agreed with the Velveta Club, the Velveta company's venue where the management was a bit more liberal. We agreed to do poetry evenings in the local wine bar now and then. It was a bit like the Viola Café, but the space was slightly different. The name Doteky (Touches) was coined by teacher Jiří Růžička who figured that since it was evenings with poetry, music and paintings, art genres would touch. That's how the name came about. It was an evening with poetry, music - the artist was always there - and an exhibition which was strictly for one evening and had to be removed afterwards. What made it special at the time, from 1984 onwards, was that the programming was quite different from mainstream productions. It's not to say we showed underground artists, though when we invited Jiří Dědeček and Mirek Kovařík, we got kicked out on the pretext that we had trampled the carpet."

  • "I have a specific memory of 1968. No troops came to Varnsdorf. We live in an area where we can almost see the green border that connects the Hrádek restaurant with Špičák. It was a popular place to cross at certain times. It has to do with the fact that there is an unforested area, and military vehicles nicknamed 'ducks' used to stand somewhere on the slope. They were radio trucks with speakers. They broadcast the Vltava radio station in Varnsdorf. Those who remember it know that Czechoslovak Radio did not broadcast at that time, it was occupied and the editorial offices were disbanded. There were these broadcasts, though, allegedly broadcast from Berlin. In order to speak in Czech, one of the announcers of Lusatian-Serbian Radio was told to say in Czech, with a German accent, 'This is Radio Vltava calling' and then they read the content dictated by the Soviets. This went on for about one to three days."

  • "The town of Varnsdorf is surrounded by Germany on three sides, the only way to Bohemia being in the south, to put it poetically or lyrically. Around the whole of Varnsdorf there was a plow with a fence, like a border between two countries that don't like to be neighbours. The plough was right behind the houses in the areas where German and Czech houses were close. There was a forest under the Špičák and so on and the border was like 500 metres inside the Czech territory. The border would open for one day, one morning in the summer, it could be crossed, and citizens - I don't know if they were picked, but I know that I was there with my father for blueberries. It was a Czech forest, but it was actually behind the fence."

  • Full recordings
  • 1

    Liberec, 04.01.2024

    (audio)
    duration: 02:08:43
Full recordings are available only for logged users.

He grew up by a border fence, then crossed it with his work and literary activities

Milan Hrabal, Liberec, 2024
Milan Hrabal, Liberec, 2024
photo: Filming

Milan Hrabal was born in Varnsdorf on 10 January 1954. His parents came there to work and live from southern Bohemia after the war. His father left the Communist Party during the vetting process and the witness was banned from continuing his studies. He completed a high school of business and worked as an economist. In the 1980s, he founded and ran the Doteky poetry studio in Varnsdorf. During the Velvet Revolution, he co-organised the strike committee and joined the Civic Forum. For a long time afterwards, he worked at the municipal authority as the Head of the Department of Education and Culture. In this position he established relations with former German natives of Varnsdorf. He wrote poetry and prose, translated and popularized Lusatian-Serbian literature and culture. He was living in Varnsdorf in 2024. We were able to record his story thanks to the support of the town of Varnsdorf and the Czech-German Future Fund.