Pavel Marek

* 1955

  • "After the big debate when I was watching at the door, my wife and I said, 'Look, let's not think about it too much, it's going to be all or nothing, I guess. Either it works or it doesn't, but if it doesn't, we'll never in our life regret doing it.' My wife said, 'You have my word.' Our daughter Lucie was very young, I think three years. So I put myself at the service of these revolutionary things. I took it upon myself to go and see the secretaries and chairmen of the national committees, the district committees, and invite them to come and talk and say what they thought. People had a lot of questions for them. I went to the chairman of the national committee, district committee, district party committee even. Was I afraid? I forbade myself to be. I said to myself, "I have nothing to be afraid of. This is my duty and I won't think about it at all.' It worked; I really reached those people. They accepted me and said their bits, of course. The party chairman said he would scatter us to all corners of Czechoslovakia and we would never get to play again."

  • "The Cheb theatre has two buildings, the main one and the theatre club called 'D' or 'Déčko' that houses a rehearsal room and the theatre club. We opened the theatre club with the understanding that Martin Urban and Zdeněk Hedvábný would tell us what was going on, what had happened [on Národní třída] because they already had the documents and the photos. A lot of people flocked to the D. Even die-hard communists came, tasked to eliminate the whole thing, to say that it was the work of subversive elements. After about two hours of arguing upstairs - I wasn't there because I was guarding the main door - there was a big crowd of about a hundred and fifty people outside the club, shouting, 'We want to know what you're talking about.' They knew some communists were inside. Guys put two speakers in the windows and the people outside got a 'second-hand' idea of what was being talked about. It started to get very heated as people understood that something was really happening, that change was inevitable and that it was actually going to happen. Cheb had always been a 'stronghold of socialism' so nobody doubted there was no way for anything like that to happen in Cheb. But it did! Suddenly, Cheb was more alive than the surrounding towns and people came here with information and for information. Two hours later, the communists were leaving through the bunch of people in the square, shouting that they were reactionaries. I, of my own free will, cried: 'It's a lie, they are lying! The communists are lying to you!' Following this meeting, theatre director Jaroslav Vlk decided to allow the meetings in the main theatre. From then on, there were discussions in the theatre from five o'clock onwardsevery day for two weeks. People would come from Prague to talk about what was going on and what it should be now. There are recordings of that. Some say that nothing was happening in Cheb and that we only joined later on when it was obvious, but this is not true. It was more like we started doing these things in Cheb and it was catching on from us."

  • Full recordings
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    Plzeň, 07.10.2024

    (audio)
    duration: 01:31:10
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Am I scared? I forbade myself to be.

Pavel Marek in 1972
Pavel Marek in 1972
photo: Witness's archive

Actor Pavel Marek was born in Svitavy on 21 January 1955. His father Ladislav Marek worked as an accountant in Svitavy’s Technolen factory and his mother worked in the same company as a girdler. Aged thirteen, during the second revival of Junák, he became a member of a scout troop and, two years later, saw it dissolved with a lot of emotion. He replaced the Scouts with a drama club which set him on his acting career. In the ninth grade he passed the talent exams for the Brno acting conservatory. After graduating, he joined the theatre in Český Těšín as an actor. Having completed his compulsory military service, he performed with the ensemble of the Šumper theatre for three years. Then he headed to the West Bohemian Theatre in Cheb in 1981 where he settled permanently. Thanks to its location outside the traditional cultural centres, the Cheb theatre had somewhat more freedom in dramaturgy and staffing, and even people with a dissident past could work there. In November 1989, Pavel Marek was actively involved in the organisation of debates that took place in the Cheb theatre and participated in the activities of the Civic Forum. After 1989, he played a number of roles on stage and in films, including Shylock in the Cheb production of The Merchant of Venice (2006) and appearance in the film The Idiot Returns.