Jan Milota

* 1951

  • “What the chairman of the caucus of a certain party is doing at the moment is typical communist immorality. Just a typical communist amorality. It only looks somewhat different. That way, no matter what happened, even if you tunnelled the mines, no matter what happened, I would never take it back. God bless. Our democracy is set up. What we are complaining about now is only our civil fault, the results of the election. And we have in the leadership of this state, in the majority, the people we elected. No politician will protect democracy for us; a politician will only take democracy as a shield. We have to protect democracy. Because otherwise the communists come in again.”

  • "That time and especially the time of normalization, after 1986. The most terrible time, and I did not experience the war that is why I call this time the most terrible. Under Husák, everyone lived in a cauldron suffocating. Slowly until tender so that they were not hard. Moreover, this way we were all nicely stewed with red carrots. In other words, we lived in a time where anyone could be an informer, where anyone could be a villain. Where you could be arrested for anything, I mean for any opposing political opinion or any defiance. There was no avoiding going to the polls, even though it was known that the polls were a total farce. It was so messed up that they did not even need cops to drive them there, no bayonets... to get people there. Those people were so enslaved and under such pressure and living under such fear, even existential fear that they simply participated in these shenanigans."

  • "A comrade director came among us informing us that if this revolution thinks that they, the communists, will hand over to us such companies as Armabeton, that like them, the communists, that they will hand over to us such companies as the smelters and like the mines, that they will hand this over to us, that we are deeply mistaken. And, suddenly someone stood up there and said: 'Mr. Director, what about your communist houses?' Mr. Director. There was a buzz. That was a shock. That's Mr. Director. So, that's how it was, that's how the beginnings were in Kadaň. At that time, perhaps no one even shouted it, but if someone had shouted it, Havel to the Castle, even those who were openly and strongly against the communists, they would have said: 'Some idiot, dude, Havel, indeed.' This was the prehistory of the revolution; this was the environment two or three days after the intervention on the National Avenue. And that's how things were changing in the countryside, like Kadaň, for example."

  • Full recordings
  • 1

    Kadaň, 22.03.2021

    (audio)
    duration: 01:40:35
    media recorded in project The Stories of Our Neigbours
  • 2

    Kadaň, 17.04.2021

    (audio)
    duration: 01:19:16
    media recorded in project The Stories of Our Neigbours
Full recordings are available only for logged users.

During the period of Husák, everyone lived in a cauldron, where they suffocated until tender

Jan Milota on the theatre stage
Jan Milota on the theatre stage
photo: Archiv pamětníka

Jan Milota was born on July 31, 1951 in Zdemyslice in southern Pilsen. Not long after that, he and his family moved to the nearby village of Seč. In his childhood, his parents often took him to the theatre, and his affection for the theatre world remained with him. After primary school, he started an apprenticeship and then joined Škodovka in Pilsen. After three years, he joined the Armabeton company as a driver for the construction of a power plant in Tušimice. The family settled in Klášterec nad Ohří, where the witness became a member of the local theatre association named Klas. He played the role of Emperor Charles IV for twenty years during the Imperial Days in Kadaň. After the revolution, he worked as an editor for regional television. In 2020, he published a book dedicated to the theatre association Klas. He is a laureate of the city’s award for his lifelong contribution to culture. In 2021, Jan Milota lived in Kadan and was still engaged in amateur theatre.