Tomáš Skála

* 1970

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  • "I'm sure there were a lot of those fiddlers when I came in as a young ear, in my twenties. Also, my fellow tribesmen and those who worked or who were of the same generation as Mr Lupač, so there are actually very few of them left, only Karel Zadražil and Emil Lupač from this generation of the nineties. Otherwise, they are all making instruments somewhere else. So, it's kind of declining nowadays, I have to say. It's not easy to say, but there are fewer and fewer masters, there is only one small manufactory and only two families actually make instruments. The big stumbling block was in 2020, when the factory production of instruments ended, Cremona Luby or Struna Luby. That's another drain of potential customers coming to Luby. Luby is a small town on the outskirts of the community, it used to be at the end of the world, now it's at the beginning of the world again, but still, it's 200 kilometres to Prague, 400 kilometres to Brno to get the proper musicians. And you have to come to them, show them the instrument so they can play it. But not many people find their way to our violin-making town anymore."

  • "To characterize Mr Lupač, he's my father-in-law, that was an incredible win! As a personality, he is really exceptional, even on the human side, in life. Everyone who needed help, he helped him and showed him everything because, in our craft, there are no big secrets. You really have to understand the wood and figure out a lot of things yourself. He's amazing as a person. They took me into the family, he had three daughters, and I came and married the youngest daughter. They accepted me as a son, and he's like my second dad or mom. He and Frída - they're amazing people, both of them. That was my biggest win. Of course, I can't forget my wife."

  • "I always like to say we're a watershed year, we 1970s. Going back even further, the class of 1970 started with sets in school, which was a pretty big deal, too. There used to be a nine-year attendance, and 1970 ended with an eight-year attendance. It went on - it used to be three-year courses, and we had three and a half years, there was no matriculation. That was four years, and you come to the army, and you vouch, you take an oath, we actually swore an oath to the Communist Party for two years. So we were putting up wires on the border, and soon, we started tearing them down. So I add to that year that we're the same age as Malátný from Chinaski, so they've already made a song for us, Husák's Children. I think that's a very positive thing."

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    Cheb, 23.05.2024

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I’m not old yet, but I remember a lot

Tomáš Skála in the workshop
Tomáš Skála in the workshop
photo: witness archive

Tomáš Skála was born on 23 August 1970 in Mladá Boleslav. He spent his childhood in Štětí, North Bohemia. His father, Adolf Skála (born 1939), came from the small village of Podhora in the Liberec region. He worked as a surveyor, surveying buildings, roads and parks. Mother Anita Skálová (born 1945) was a seamstress and worked all her life as a forewoman in the local clothing factory Severka. Petr Skála (born 1973), the younger brother of the witness, works in the Škoda Auto car factory. He originally trained as a car mechanic in Děčín. After the military service in Cheb, where he experienced the Velvet Revolution as a member of the Border Guard, he settled in the Aš region. He married into the violin-making family of Emil Lupač. His father-in-law offered to initiate him into the secrets of master violin making. Tomáš Skála agreed. He graduated from the violin-making school and began working with Emil Lupač in the family workshop. In 2024, the family tradition was continued by his son Tomáš Skála Jr. In 2024 Tomáš Skála lived in Luby.